They have all these preconceived notions about what aliens are like, but they’re ideas that come from pulp science fiction comic strips and popular movies like Star Wars. comes to Elliott (Henry Thomas) and his family by accident, and much of the films is spent illustrating just how difficult it is for Elliott or his family to relate to E.T. She doesn’t want to do anything to hurt Charlie, but the tension builds from her efforts to avoid doing so while keeping him from harming others.īy contrast with Uncle Charlie’s visit to his family, E.T. And right on cue, Cotten turns his head so he’s looking right at the camera and winks, just to show us how serious he is.įrom this moment on, Charlotte knows she has to do something to keep her loved ones safe from Charlie’s secret. One of the family members protests bashfully, as if Uncle Charlie had just said something impolite instead of something malicious and crazy. Hitchcock’s camera slowly moves in on Cotten’s profile. In one key scene, Charlie goes on a long rant while seated at his sister’s dinner table, about how little old ladies are actually like fat pigs that need to be slaughtered. That central revelation drives Charlotte, the protagonist whose point of view the audience is made to identify with most, away from a figure she related to so intensely that she even shares his name. But the aura of cool mystery around Charlie hides a nasty secret, one that Charlotte grapples with throughout the movie’s incredible second half.
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